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Eleanor Goodman
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The Politics of "Don't Speak" [by Eleanor Goodman]
As everyone has heard by now, this year’... Continue reading
Posted Oct 13, 2012 at The Best American Poetry
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A More Whimsical Note [by Eleanor Goodman]
Posted Aug 21, 2010 at The Best American Poetry
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Consider the Lobster and the Marinating Cat [by Eleanor Goodman]
Posted Aug 20, 2010 at The Best American Poetry
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Reading David Foster Wallace Without a Net [by Eleanor Goodman]
Two years ago next month, the writer, philosopher, and literary genius David Foster Wallace hanged himself in his backyard. I didn’t know DFW, and initially I disliked his work. True, I took some pride in the fact that we attended... Continue reading
Posted Aug 19, 2010 at The Best American Poetry
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What Appears To Be Really Is [by Eleanor Goodman]
Posted Aug 18, 2010 at The Best American Poetry
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Apocalypse Now...Or a Little Later? [by Eleanor Goodman]
Am I unusual in feeling that there’s something increasingly schizophrenic about our public life? According to the New York Times, BP’s apocalyptic oil spill continues to kill giant sea turtles by the boatload and destroy the unique biodiversity of Louisiana... Continue reading
Posted Aug 17, 2010 at The Best American Poetry
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A Poet of the World (by Eleanor Goodman)
Jared Smith is a poet I have admired for many years. I met him once by chance, on a day in July so humid that even the trees looked resentful, and we had a long conversation about art, the place... Continue reading
Posted Aug 16, 2010 at The Best American Poetry
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A Modest Meditation on Home [by Eleanor Goodman]
Posted Aug 15, 2010 at The Best American Poetry
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Thanks for the kind remarks, David and Stacey. I love Stevens' "Sunday Morning", but the poem on this topic that speaks to me most is Rilke's first Duino Elegy: "For beauty is nothing but the beginning of terror, which we are still just able to endure / and we are so awed because it serenely disdains to annihilate us." That sense of awe, for me, is the impulse behind art. I felt that same mix of intense aesthetic pleasure and fear in Pere Lachaise. I think Stevens is pointing to the fact that despite our desire for it, there is no "imperishable bliss", only a fleeting sense of joy, and such is a given life. Death, by providing the door through which beauty comes and goes, is both a looming horror and a solace.
Visiting Paris, or, A Short Meditation on Death [Eleanor Goodman]
Right around the time of my last birthday, I started to think seriously about death. I spent the next several months writing and ruminating on the emotional fallout. I was reminded of that time last week, in Paris sleeping on a narrow mattress on the floor of an apartment belonging to a stranger...
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