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Eleanor Goodman
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As everyone has heard by now, this year’... Continue reading
Posted Oct 13, 2012 at The Best American Poetry
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My first summer in Shanghai, I horrified my female Shanghainese coworkers by daring to walk around outside. It wasn’t that they were worried that I would suffer from heatstroke in the humid 95-degree weather, or get run over by a... Continue reading
Posted Aug 21, 2010 at The Best American Poetry
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My hometown, Buffalo, NY, isn’t famous for much. We’ve got Buffalo chicken wings and the ill-fated Buffalo Bills. There’s SUNY Buffalo and Lake Erie and the faded glory of the Erie Canal. But mostly, if you ask people whether they’ve... Continue reading
Posted Aug 20, 2010 at The Best American Poetry
Two years ago next month, the writer, philosopher, and literary genius David Foster Wallace hanged himself in his backyard. I didn’t know DFW, and initially I disliked his work. True, I took some pride in the fact that we attended... Continue reading
Posted Aug 19, 2010 at The Best American Poetry
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There is a discrete point in life when you suddenly realize your parents look frail, you have wrinkles starting to spider out from the corners of your eyes, and practically everyone you know is married. Now replace “discrete” with “traumatic.”... Continue reading
Posted Aug 18, 2010 at The Best American Poetry
Am I unusual in feeling that there’s something increasingly schizophrenic about our public life? According to the New York Times, BP’s apocalyptic oil spill continues to kill giant sea turtles by the boatload and destroy the unique biodiversity of Louisiana... Continue reading
Posted Aug 17, 2010 at The Best American Poetry
Jared Smith is a poet I have admired for many years. I met him once by chance, on a day in July so humid that even the trees looked resentful, and we had a long conversation about art, the place... Continue reading
Posted Aug 16, 2010 at The Best American Poetry
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“The perpetual ideal is astonishment,” Derek Walcott writes in the title poem of his painfully beautiful new book White Egrets. I take this to be true and essential in life as well as in art. Perhaps that’s one reason I... Continue reading
Posted Aug 15, 2010 at The Best American Poetry
Thanks for the kind remarks, David and Stacey. I love Stevens' "Sunday Morning", but the poem on this topic that speaks to me most is Rilke's first Duino Elegy: "For beauty is nothing but the beginning of terror, which we are still just able to endure / and we are so awed because it serenely disdains to annihilate us." That sense of awe, for me, is the impulse behind art. I felt that same mix of intense aesthetic pleasure and fear in Pere Lachaise. I think Stevens is pointing to the fact that despite our desire for it, there is no "imperishable bliss", only a fleeting sense of joy, and such is a given life. Death, by providing the door through which beauty comes and goes, is both a looming horror and a solace.