This is sidewinder.fm's TypePad Profile.
Join TypePad and start following sidewinder.fm's activity
Join Now!
Already a member? Sign In
sidewinder.fm
Recent Activity
Image
By Kyle Bylin (@sidewinderfm), founder and editor of sidewinder.fm, a music and tech think tank. Direct-to-fan marketing tools and services continue to hold a lot of promise. They enable artists to connect with their fan base and sell their products directly to them. But has the full potential of these tools and services been realized? Who is realizing it? What part of this potential has yet to be fulfilled? In this interview panel on direct-to-fan marketing, four influential executives in the music and tech industry weigh in on the potential of direct-to-fan. Direct-To-Fan Still an Afterthought to Many Artists Jason... Continue reading
Posted 3 days ago at hypebot
Image
By Benji Rogers (@BenjiKRogers) founder and CEO of the direct-to-fan company PledgeMusic. Direct-to-fan tools can — when used to maximum effect — become the thinnest skin between the artist and fan. The full potential is possible and exists; but only a fraction of the artists and labels out there use it. There are no real problems of scale because each release campaign can and should be as unique and original as the music that drives it. The main challenges are simply that the platforms are being used generally to minimal effect. They’re being used solely as sales engines and not... Continue reading
Posted 6 days ago at hypebot
Image
By Kyle Bylin (@sidewinderfm), founder and editor of sidewinder.fm, a music and tech think tank. I’ve always been skeptical of how music startups view music listeners. There have been many times where I’ve read a press release or heard an elevator pitch and narrowed my eyes. The suspension of reality can be astounding at times. Music startups seem to think that people have an infinite capacity to discover music and spread their love for artists. I understand that people are only trying to market their music services. Sometimes, they say things that (I hope) aren’t meant to be taken seriously... Continue reading
Posted 6 days ago at hypebot
Image
This is the preface for Divergent Streams, a collection of essays edited by Kyle Bylin (@sidewinderfm) and written by influential executives, startup founders, and thinkers in the music industry. Download a free copy of the e-book here. I wanted something to read. Something that challenged me. Something that engaged me. Something that forced me to sit down and consider the writer’s perspective. What I found instead were news stories about trivial developments, blog posts with big headlines but small insights, and numbered lists lacking intellectual substance. As someone who cares deeply about music and technology, I found this disheartening. I... Continue reading
Posted 7 days ago at hypebot
Image
By Kyle Bylin (@sidewinderfm), founder and editor of sidewinder.fm, a music and tech think tank. Music blogs are a huge part of how avid listeners discover music. Many of them check the same sites every day in hopes of finding new songs and artists. But how broad is the appeal of music blogs? Music blogs have certainly grown in readership, but have they surpassed a niche audience? If so, how? What cultural trends, heroic efforts, or music products have most helped music blogs reach a larger audience? In this interview panel on music blogs, four influential thinkers in the music... Continue reading
Posted 7 days ago at hypebot
Image
By David Hahn (@davidjhahn), founder and editor of the blog Musician Wages. Recording music was a stupid idea. I sometimes daydream about what would need to happen in order for all recorded music playback devices to all stop functioning at once. And then, if people wanted to hear music, someone would have to actually play it. But I'm not a luddite. While I often look to the music industry's past — it's only so that I might get a glimpse of what might happen in the future. I'm much more interested in what will happen to music in my lifetime... Continue reading
Posted 7 days ago at hypebot
20
Image
By Kyle Bylin (@sidewinderfm), founder and editor of sidewinder.fm, a music and tech think tank. So far we have explored the music blog landscape and how it has has changed in recent years, as well as whether music blogs have reached a mainstream audience. In this final interview panel on music blogs, David Greenwald and Nicole Cifani, two influential thinkers and tastemakers in the music industry, weigh in on how the way in which music blogs tell stories has evolved and whether they think music blogs have turned into record labels. Sidewinder.fm: Are linear narrative and story telling are integral... Continue reading
Posted May 15, 2013 at hypebot
Image
By Frank Woodworth (@GlacialConcepts), Director of Business Development at Thrillcall, a concert discovery and ticketing platform for web and mobile applications. A major label is going to buy a DIY distributor, such as TuneCore or CD Baby. This is the next logical step in the roll up of distributors. In the past five years the independent distributors have been merged in much the same way that labels were merged over the past 20 years. IODA and The Orchard merged under Sony and it is only a matter of time until they are folded into Red or vice versa. INgrooves has... Continue reading
Posted May 15, 2013 at hypebot
Image
By Virginie Berger (@virberg), founder and general manager of the creative and development agency DBTH. To cut to the chase and get at the heart of the matter, the biggest apparent challenge that I can identify for direct-to-fan is that the music industry is broken and no one has yet discovered a practical model that will allow the typical independent, DIY musician to make money. But let's not forget either that artists without a label and who are well-surrounded, and know how to integrate an entrepreneurial aspect into their approach to sell their production, can succeed. It can also be... Continue reading
Posted May 14, 2013 at hypebot
Image
By Jason Spitz (@jasonspitz), an e-commerce expert who helps bands, comedians, and other artists build direct-to-fan businesses. 1. Shopping Habits One big bottleneck to reaching the full potential of direct-to-fan is the audience’s shopping habits. Music consumers have learned that iTunes and Amazon offer a smooth, seamless shopping experience with reliable fulfillment. "Artists who want to sell direct-to-fan must overcome this obstacle and convince their fans to shop via a method that is more cumbersome, takes longer, and is less reliable." Those consumers also have pre-existing accounts with those services, so a purchase is as easy as a single mouse... Continue reading
Posted May 13, 2013 at hypebot
Image
By Kyle Bylin (@sidewinderfm), founder and editor of sidewinder.fm, a music and tech think tank. Music blogs are an interesting sector, one that continues to evolve with the artists that they cover. I have several friends and colleagues who know a lot about where music blogs came from and where they might be going. So I asked them this question: How has the music blogging and curation landscape changed in recent years? Talk about some of these changes and then bring us into present day. What does that landscape look like right now? Major Label Embrace of Online Music Gave... Continue reading
Posted May 10, 2013 at hypebot
Image
By Kyle Bylin (@sidewinderfm), founder and editor of sidewinder.fm, a music and tech think tank. I've never taken a strong interest in Pandora’s performance on the stock market, because I mainly write about music products and behavioral trends. What I've noticed, though, is how the company's IPO changed how media outlets talk about digital music services. Rather than talk about the product features or listener trends, people often talk solely about the viability of the business model and debate whether the company can survive in an increasingly competitive landscape. The stock market appears to dislike any moment that a new... Continue reading
Posted May 9, 2013 at hypebot
Image
By David Dufresne (@DavidDufresne), CEO of Bandzoogle, a website builder and marketing platform for independent music artists. I think when Apple and Google finally launch subscription music services (or partner up with an existing one), and bundle them with each iOS and Android device sold, this will be a huge game-changer. It will definitely be the tipping point towards massive adoption of on-demand music access, and it will accelerate the downfall of music ownership. "As soon as streaming becomes the leading way people consume music, it will highlight the issues surrounding revenue and business models for everyone involved and really... Continue reading
Posted May 8, 2013 at hypebot
This article doesn't say that artists should depend on meeting a special person in a Starbucks or elevator, it reports the fact that this is a mindset that still exists and remains prevalent. I think that makes for an interesting story. We — readers of this blog — live in a world where the DIY approach is widely accepted and readily adopted. I think many people — especially those at the ASCAP Expo — believe handing someone influential their demo could lead to their next big break. Although they may grow out of this view, it's still well-represented among a large set. It's possible the thesis could be more clearly stated and readily argued but this is an objective piece that tries to capture that perspective. For aspiring artists, who want to become popular music stars, the music industry seems to look like a place where giving that special person your demo is going to break you. This means that there is a huge education opportunity when it comes to people with this mindset. As much as we try to educate the masses on the realities of the music business and the opportunities that technology welds, myths and dogma trump do it yourself and direct to fan.
1 reply
Image
By Diana Hereld (@christypaffgen) We live in a world where someone handing Katy Perry a demo could lead to their next big break. With the plethora of self-marketing strategies available that include everything from Facebook and YouTube to SoundCloud and ReverbNation, most continue to dream of the moment they run into that one special producer or A&R person in the elevator. But why is that? Could it be because the popular music elite like Perry or Rihanna, who many artists want to join at the top of the music industry, aren’t accessible through the Internet? At this year’s annual ASCAP... Continue reading
Posted May 2, 2013 at hypebot
10
Image
By Kyle Bylin (@sidewinderfm), founder and editor of sidewinder.fm, a music and tech think tank. I often wonder if the music industry expects too much of music listeners. This might seem like an odd concern, considering that an equal portion of label executives seem to expect nothing but music piracy and concert going from today’s listener. But hear me out. Maybe I’ve attended too many conference panels. Maybe I’ve read to many blog posts. Maybe I’ve heard too many startup pitches. But I think that we expect too much from today’s listener, and their interest in music has limits. What... Continue reading
Posted Apr 30, 2013 at hypebot
Image
By Kyle Bylin (@sidewinderfm), founder and editor of sidewinder.fm, a music and tech think tank. The notion of artists selling music directly to their fans holds a powerful allure. Why pay to distribute your music to iTunes and Amazon if you can set up your own online storefront? You keep a higher percentage of the sales revenue and obtain invaluable information about your audience. This information — such as email addresses and buying behavior — empowers you to contact your fans the next time that you have new music or merch for sale. Furthermore, going directly to fans allows you... Continue reading
Posted Apr 29, 2013 at hypebot
Image
By Kyle Bylin (@sidewinderfm), founder and editor of sidewinder.fm, a music and tech think tank. Have you ever heard of Pandora? This is often the question that music and tech executives open a conversation with when they are talking to people that exist outside of their bubble. Everyone, it seems, responds that they use Pandora or nods in acknowledgement that they have heard of the Internet radio service before. Considering that Pandora recently surpassed 200 million registered users in the United States, with over 140 million of them tuning into the service via their mobile device, it’s not surprising that... Continue reading
Posted Apr 24, 2013 at hypebot
I think you bring up a good point. A lot of innovation does come from breaking the rules or challenging a established status quo. New entrants, though, do not have institution or history to guide them. Thus, they may try things that are hard and break through over break down. I have always believed that our experience informs our decisions, but it also prevents us from trying foolish things that could actually work out. Put simply, once you build a box it's hard to think outside of it. When you have nothing at all, anything is possible. — Sent from Mailbox for iPhone
1 reply
Image
By Kyle Bylin (@sidewinderfm), founder and editor of sidewinder.fm, a music and tech think tank. Pandora has evolved during its tumultuous, decade long rise to ascendancy in the Internet radio sector, but the product is not perfect. Avid users lament about the repetitious nature of their custom stations and their tendency to pander toward certain artists. The alternative rock band Weezer, for example, is a chameleon whose wide ranging and popular songs eventually squeeze their way into any station. Furthermore, custom stations that only play songs you like from artists you love can become a remote island in an increasingly... Continue reading
Posted Apr 16, 2013 at hypebot
Image
By Kyle Bylin (@sidewinderfm), founder and editor of sidewinder.fm, a music and tech think tank. Over the years, the definition of music discovery has changed. For some, music discovery encapsulates the serendipitous event of finding a new song or artist, which is often wrapped with infatuation of a new crush. You can’t stop talking about the artist that is now the love of your life and when you have free moment, you quietly stalk them on Facebook or Twitter. For others, music discovery entails the process of searching for and sifting through new music — a dedicated and consuming journey... Continue reading
Posted Apr 15, 2013 at hypebot
Image
By Casandra Govor (@casandragovor) for sidewinder.fm, a music and tech think tank. It’s only fair to say mobile music hasn’t started with apps. In the pre-smartphone era, in the mid-2000s, mobile generated revenue via ringtones, ringback-tones, ringer profiles, and full track downloads, while marketing was confined to text messaging and custom ads on the newly popular mobile optimized websites. However, things changed dramatically with the introduction of the first smartphone in 2007: Apple’s iPhone. Since then, tech giants Blackberry (formerly Research in Motion), Google (via the Android system) and Microsoft (via the Windows Phone) entered the market, the latter two... Continue reading
Posted Mar 20, 2013 at hypebot
Image
By Brenna Ehrlich (@BrennaEhrlich) for sidewinder.fm, a music and tech think tank. When it comes to artists and digital music services, the common lament among performers nowadays could be equated to Chicago's unofficial motto: "Ubi Est Mea?" Or, if you don't speak Latin, "Where's mine?" In the midst of contention over royalty fees and streaming music's questionable payouts, however, the cadre of companies behind these digital services are looking for new ways to put money and power in the hands of artists. Since their inception, subscription and streaming services have been, at their core, tailored for the music listener —... Continue reading
Posted Mar 14, 2013 at hypebot
Image
Guest post by Micheal Cerda (@imcerdafied) for sidewinder.fm, a music and tech think tank. Cerda provides an in-depth commentary on today's launch of VEVO.TV, a brand-new music video product. In the 1980s and early 1990s, music videos on television captured the imagination of a generation. New levels of music fanaticism, discovery and imagination were born. We could finally see what bands really looked like, what their interpretations of the music were, what story it really told, and even the latest fashion trends! Then it ended. Music on TV went away and the Internet showed up, ushering in a new paradigm... Continue reading
Posted Mar 12, 2013 at hypebot
Image
Guest post by Daniel Turner (@dantrnr) for sidewinder.fm, a music and tech think tank. While the ideological tug-of-war trudges on between hardline anti-piracy crusaders and digital rights freedom fighters, music tech innovators are focused on the future. This dynamic was on sharp display during the “Streaming Music Business” panel at the recently held California Lawyers for the Arts Music Business Conference. Bookending the panel was former Dead Kennedy guitarist Ray Pepperell and Electronic Frontier Foundation attorney Julie Samuels. Sandwiched in between was music tech entrepreneur and industry executive Jason Keck. Channeling the indignant outrage of his anti-piracy forebears (think Lars... Continue reading
Posted Mar 8, 2013 at hypebot