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Sunset Gun
Los Angeles
Playboy, Los Angeles Review of Books, Criterion and more.
Recent Activity
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The new Sight & Sound features my ten-page interview with its February cover star, Quentin Tarantino, and they have graciously allowed me to excerpt a portion of the extensive Q&A here. This is a nice chunk of it, but there's so much more in the magazine, from getting to know his characters, to the Roadshow appeal of The Hateful Eight and themes in the movie,... Continue reading
Posted Jan 8, 2016 at Sunset Gun
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Pick up the February edition of Sight & Sound and read my ten page interview with its cover star, Quentin Tarantino. We get into it: The Hateful Eight, old TV westerns ("The Virginian" especially), movie violence, police brutality, Snoop Dogg's resemblance to Lee Van Cleef and a whole helluva lot more. Quentin gives good interview. From Sight & Sound: "As The Hateful Eight hits UK... Continue reading
Posted Jan 4, 2016 at Sunset Gun
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Here's my most memorable ten movies of 2015. Please indulge me as I ramble a bit, quote Werner Herzog extensively and bring up a movie that I saw last year, but was released in some cities this year, and one that I can't seem to stop watching. If you know me, you know which one. These are not in order. Except for the first film...... Continue reading
Posted Dec 31, 2015 at Sunset Gun
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Shane Black makes a good cup of coffee. It’s December 21st, 2015, the holiday season, a perfect time to meet Shane Black. I’m watching Black work his coffee maker in his kitchen. He finds me cream. I find it disarmingly sweet, charming that we’re in his enormous, beautiful 1920's-era mansion, and he’s making me coffee. He’s wearing socks, no shoes. His two handsome dogs are... Continue reading
Posted Dec 25, 2015 at Sunset Gun
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An excerpt from my longer piece at the Daily Beast, on the oddity, allure and brilliance of Patricia Highsmith: The critically acclaimed film "Carol," based on one of her books, has helped introduce a new generation to this most puzzling, contradictory, but indispensable novelist. Patricia Highsmith disliked food. Or, rather, she had a deeply problematic relationship with food that produced fascinating, unsettling musings, vividly intertwined... Continue reading
Posted Dec 5, 2015 at Sunset Gun
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By the Sea Angelina Jolie doesn’t care if you like her. But it’s not out of snobbery, some kind of looking down on the little people; she’s too focused, too mysterious, too fascinatingly complicated for that. It’s from a yearning to express herself, to say something about her experience, about being a movie star, about marriage, about women, about the oddity that is she (or,... Continue reading
Posted Nov 23, 2015 at Sunset Gun
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I was honored to present and discuss Something Wild (1961) on TCM in 2010 and both Something Wild and The Strange One (1957) with director Jack Garfein at the Telluride Film Festival in 2012 (read my piece here). If you haven’t seen these two powerful pictures, don’t miss them tonight on TCM at 5 & 7 PST with, and this is exciting, Jack there to... Continue reading
Posted Nov 15, 2015 at Sunset Gun
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I wrote a defense of femme fatales in the the Fall 2015 issue of the Film Noir Foundation's magazine, Noir City and it's now available, with contributors Meagan Abbott, Ben Terrall, Krista Faust, Renee Patrick, Rose McGowan and more inside. Make a donation and read it all here. Here's an excerpt from my much longer piece. Taking on the topic of the femme fatale, and... Continue reading
Posted Nov 4, 2015 at Sunset Gun
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The Fall 2015 issue of Filmmaker Magazine is out and the cover features my interview with director Todd Haynes. We discuss his newest picture, Carol, Patricia Highsmith, Karen Carpenter and more. Here's an excerpt from the interview. To read the rest, buy the newest issue of Filmmaker or subscribe to their premium content. “Persistently, I have the vision of a house in the country with... Continue reading
Posted Oct 29, 2015 at Sunset Gun
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"The sadness of our existence should not leave us blunted, on the contrary -- how to remain thin-skinned, vulnerable and stay alive?" -- Montgomery Clift Continue reading
Posted Oct 17, 2015 at Sunset Gun
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Here's a nice write-up from Gary Tooze for the Kino Lorber release of Busting with a much appreciated shout-out regarding my commentary with Elliott Gould: "There are some good extras including a feature-length audio commentary by director Peter Hyams - which has some revealing moments - but I really enjoyed the 3/4 of an hour select scene audio commentary with Elliott Gould and film critic... Continue reading
Posted Sep 21, 2015 at Sunset Gun
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New Sight & Sound! I was honored to contribute to this group and grouping of 100 films directed by women with so many esteemed writers, filmmakers, actors and artists. My short pieces include Merrily We Go to Hell (1932) by Dorothy Arzner, my favorite and I think, the best Arzner picture. And Elaine May's Mikey and Nicky (1976) that though adored by some is still,... Continue reading
Posted Sep 7, 2015 at Sunset Gun
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A repost of Marnie Edgar's sex magic satchels. Please excuse the on-purpose excessive alliteration. "Marnie" will show next Sunday, Sept. 13, at the Arclight Hollywood. When Madonna's "Sex" was released, actor Udo Kier, who was featured prominently in many of the book's best pictures, was asked about Ms. Ciccone. What she was like? But more specifically, since Kier had ample chance to see, What was... Continue reading
Posted Sep 6, 2015 at Sunset Gun
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Talking with John Waters: Endlessly funny, erudite, charming and so well-read, just try to keep up (he reads two books a week). So I was thrilled to interview him for Sight & Sound's September issue. I won't publish the entire, long and entertaining interview here, this is just a teaser. You'll need to go out and buy the magazine, beautifully laid -- out to get... Continue reading
Posted Aug 10, 2015 at Sunset Gun
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The September cover of Sight & Sound features my interview with national treasure John Waters. The BFI is doing a series on Waters, showing every single one of his films and Waters programmed ten of his favorite British films for the series as well. Yes, Joseph Losey’s gloriously insane Boom! will be screened, and we talk about it. We also talk nuns, Pasolini, Diane Arbus,... Continue reading
Posted Jul 31, 2015 at Sunset Gun
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Carol Reed's The Third Man was re-released this month at the Nuart Theater in Los Angeles and all over the country with varied dates. It's left the Nuart so hopefully you saw it as it was meant to be seen, on the big screen, in its first major restoration. But for New Yorkers, you can still take in Reed's masterpiece at the Film Forum running... Continue reading
Posted Jul 26, 2015 at Sunset Gun
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This was not easy. The ten greatest American films of all time? I can't pick a mere ten! So when the BBC asked me, among 61 other film writers from around the world, to contribute to their 100 Greatest American Films list, I said yes, knowing I'd be second-guessing every damn decision. I wrote my first list with both thought and gut instinct. I looked... Continue reading
Posted Jul 21, 2015 at Sunset Gun
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"Baby do you know what you did today? Baby do you know what you took away? You took the blue out of the sky, my whole life changed when you said goodbye. And I keep crying, crying... Oh, baby Oh, baby... I wish I never saw the sunshine. I wish I never saw the sunshine. And if I never saw the sunshine, baby. Then maybe,... Continue reading
Posted Jun 18, 2015 at Sunset Gun
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A heartbreaking and, in passages, beautifully written letter Marilyn Monroe wrote to her psychiatrist, Dr. Greenson, from a psychiatric ward. *Wandering through time and titans, the letter was written in March, 1961 and read to me in February, 2015 by John Ashbery (more about that at the end of this entry). That was quite something, something I'll never forget. March 1, 1961 Just now when... Continue reading
Posted Jun 1, 2015 at Sunset Gun
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From my piece in the May issue of Sight & Sound, out on stands now, the ending of Stanley Kubrick's the Killing. Nicely edited for space (yes, I went over word count) my editor kindly allowed me to publish my longer essay here. Should we start with the final shot? Or the very near final shot? The one with the iconic line? No, let’s start... Continue reading
Posted Apr 13, 2015 at Sunset Gun
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March is almost over. And I've lost my claw mojo. I always win this thing. Always. I know they're rigged but I'm lucky I guess. March was was a crazy month. I'll blame March. But some good things are coming up. A piece in Sight & Sound about the end of Stanley Kubrick's The Killing, some musings (finally) on Inherent Vice at LARB for the... Continue reading
Posted Mar 31, 2015 at Sunset Gun
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Before I forget... please pick up the February edition of Sight & Sound on stands now where you can read my essay on Russell Rouse's "Wicked Woman." Here, my piece, from their "Lost and Found" column: "Overlooked films currently unavailable on UK DVD or Blu-Ray." The movie is not on DVD in the US either... There's something especially mesmerizing about watching Beverly Michaels slump her... Continue reading
Posted Feb 16, 2015 at Sunset Gun
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The Forbidden Room. Here's on-set pictures I took just about three years ago in Paris while working on what would become Guy Maddin's The Forbidden Room (co-directed by Evan Johnson) soon to be seen at Sundance and Berlin. These pictures are from the project, then called Spiritismes, shot at the Centre Pompidou, which I wrote about here and here. For me, it all started in... Continue reading
Posted Jan 16, 2015 at Sunset Gun
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I finally made it to the Oregon Coast before the year ends, right before returning home to Los Angeles. It may look sunny here, and it is, but it's cold. I yearned for the chilly beach of my PNW childhood. And, since Paul Thomas Anderson's Inherent Vice was my favorite movie of the year (I will write more on that later), here's Neil Young (who... Continue reading
Posted Dec 31, 2014 at Sunset Gun
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From my expansive three-part interview with Elliott Gould, George Segal and Joseph Walsh at the Los Angeles Review of Books. Here is all of it, in one post. Take a break, and read on... WE’VE ALL AGREED to meet at Canter’s Deli. George Segal, Joseph Walsh, and Elliott Gould. It’s mid-September, one of those absurdly hot Los Angeles days, and I’m there early, cooling off... Continue reading
Posted Dec 17, 2014 at Sunset Gun