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That's great to hear! I'm sure being in charge of the jazz listings gives you something to be excited about at work and it's nice that you are working from inside the system to make change. Congrats!
NYMag's Jazz Nightlife Agenda
Astute and obsessive readers of New York magazine might have noticed that, from this year's issue 8 (mid-March) onward, the magazine's jazz listings have undergone a slight, but nonetheless perceptible, change. Prior to issue 8, the magazine's two weekly jazz listings (there are more online) w...
Great stuff Eric. I recently re-watched First Contact and was re-seduced by the idea of space travel as a unifying force to rally mankind. Much of my youth was spent thus deluded; reading this article was a welcome retreat to those days of building model rockets and reading about Wernher Von Braun. I have since given up on space exploration, but I'm glad there are still people out there fighting for it.
Mars or Bust
In early August 2009, I attended the 12th International Mars Society Convention with my close friend and frequent collaborator Justin Nobel. We went on a whim, knowing almost nothing about the Society and hoping that somewhere at the gathering we'd find a worthwhile story. From the first moment...
Wow, that was a blast from the past. When I first opened up the blog I thought I had the wrong one. I am well familiar with this picture from the various times I visited Type and Tonic waiting for the next post. Hopefully this is not you last post here.
That project sounds very exciting! I hope that your experience recording voices for NNN will come in helpful. I've been listening to a lot more NPR recently because my boyfriend has a car. Best of luck, can't wait to hear how it turns out!
Return to Buenos Aires
(Or, June 9th is...Guillermo Klein day) From October 2007 to August 2008, I lived in Buenos Aires, Argentina, working first as a reporter for the biweekly ex-pat newspaper The Argentimes and then as a jazz chronicler and scene hanger-on for All About Jazz. During most of my stay in the South,...
I like the direction you're going with this blog. I think the problems you have articulated so far --over-emphasis on tradition leading to stagnation, and the lack of genuine criticism-- are problems faced by many creative endeavors/communities. I saw several parallels to issues I have noticed in the LEGO fan community, and the webseries production community (which I am just beginning to dip my toes into).
As a casual jazz fan I must admit that my collection consists mostly of the old masters. I got into The Bad Plus and Brad Mehldau last year purely by accident, and I haven't really had a chance to branch out. Part of this is because music is only one of my many interests and jazz is only one many genres I'm interested in. But another problem is definitely the lack of mainstream coverage of jazz. It's easy enough for me to stumble across reviews of the latest altrock albums in the places I go for reviews of movies, TV shows, etc. But to find out about new jazz stuff, I'm going to have to got to a niche site, which is probably going to overwhelm me and (as you point out) maybe not help me figure out what's worth listening to and what isn't.
Looking forward to seeing where you go with this and hopefully find some awesome new jazz along the way.
(I just figured out what the header pic is - very clever.)
More booing, please!
Last week, the Met opened its new production of Tosca and as the director took his curtain call, a vocal minority of the audience booed. I have to say, I’m envious of the opera crowd. This isn’t the first time opera audiences have booed, as Charles and Mirella Jona Affron noted in today’s Tim...
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