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The Week In Music Publishing 8.24.12
Posted Aug 24, 2012 at hypebot
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The Week In Music Publishing 7.27.12
Posted Jul 27, 2012 at hypebot
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The Week In Music Publishing 7.20.12
Posted Jul 20, 2012 at hypebot
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The Week In Music Publishing 7.15.12
Posted Jul 13, 2012 at hypebot
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The Week In Music Publishing 6.8.12
Posted Jun 8, 2012 at hypebot
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The Week In Music Publishing 5.18.12
Posted May 18, 2012 at hypebot
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The Week In Music Publishing 5.11.12
Posted May 11, 2012 at hypebot
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The Week In Music Publishing 5.4.12
Posted May 4, 2012 at hypebot
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Not at all, Jay! Thanks for the questions.
HFA is a liaison between record labels and third parties that release copyrighted material from publishers. If your material was not being released commercially by a label or another third party – there would be no need for HFA to step in and collect mechanicals. For example, if you were to self-release an album of your original songs, as your own record label, you would have to pay mechanical license fees to your publishing company (or dba) to reproduce those songs in album form. In theory, you’d be paying yourself. HFA wouldn’t been involved.
HFA will not deny your royalties, however they only work with and represent publishers. So, if you have a track on an album that was commercially released – and you'd like to handle collection yourself - we’d highly recommend creating a publishing company (or dba) and affiliating with HFA so you can collect those royalties.
As an OP, Songtrust (and all publishing companies for that matter) are entitled to claim and collect the publisher’s share on behalf of their writers. This capacity doesn’t automatically grant the publisher the right hold on to that money or keep it. The true legality of ownership in publishing comes down to the agreements between the publishers and individual writers. In all of Songtrust’s agreements, we pay 100% of all performance and mechanical royalties that are collected back to the songwriters and/or their individual publishing companies.
Ultimately, Songtrust has been built to make life easier for songwriters. We're cutting down on the time and effort required to collect royalties with our one-stop service.
Songtrust Uncovers $2K For D.I.Y. Songwriter
No matter how diligent you are, as a d.i.y. artist some things are going to fall through the cracks. Others seem nearly impossible. After all, it's only been a couple of years that many areas of the music industry have even begun to become more d.y.i friendly. Such was the case for indie song...
Harry Fox only works with publishing companies. Songwriters cannot affiliate with HFA unless it's through a publishing company or dba.
That said, to affiliate with HFA, your publishing company must have had at least one song commercially released by a third party within the last twelve months.
For many independent songwriters - such as Daniel Snyder - they do not meet these requirements. Songtrust acts as a publishing administrator for independent songwriters, giving them the ability to register all their songs with HFA.
Songtrust Uncovers $2K For D.I.Y. Songwriter
No matter how diligent you are, as a d.i.y. artist some things are going to fall through the cracks. Others seem nearly impossible. After all, it's only been a couple of years that many areas of the music industry have even begun to become more d.y.i friendly. Such was the case for indie song...
Songtrust Uncovers $2K For D.I.Y. Songwriter
Posted May 3, 2012 at hypebot
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4 Ways To Earn More Publishing Royalties & 4 Succces Stories That Prove Them
Posted Apr 5, 2012 at hypebot
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The Week In Music Publishing 3.30.12
Posted Mar 30, 2012 at hypebot
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The Week In Music Publishing 3.22.12
Posted Mar 23, 2012 at hypebot
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Dr Luke Tops Songtrust Top Songwriters Chart
Posted Mar 8, 2012 at hypebot
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The Week In Music Publishing 3.2.12
Posted Mar 2, 2012 at hypebot
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The Week In Music Publishing 2.24.12
Posted Feb 24, 2012 at hypebot
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Top 30 Sources Of Songwriter Royalties & Fees
Posted Feb 2, 2012 at hypebot
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Songtrust is now following The Typepad Team
Jan 20, 2012
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