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Ira Sadoff
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Thank you Mary for your thoughtful post. I don't know the Beethoven, though Rysanov has the sweetest, most romantic tone in a Brahms trio I know. I love the arpeggione, but prefer it, inauthentic as it might be, on the cello, especially on the Bows of Queyras, Rostropovich and Starker. Glad you enjoyed the music. Ira
Thanks for your sweet note, Laura. Sharing great music's one of life's inexhaustible pleasures, so I appreciate your generosity.
Last day of blogging and “I’m sweating a lot by now” which is a line from O’Hara’s tribute to Billie Holiday and arguably the best elegy about jazz ever written (“The Day Lady Died”). In my less than grand finale,... Continue reading
Posted Sep 27, 2012 at The Best American Poetry
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The lyrics of two of my favorite jazz standards, “My Favorite Things” and “Tea for Two,” are cheesy, insipid, even infantile bourgeois fantasies; the original vocals seem to me to be sung in that sunny psycho-killer demented spirit: Raindrops on... Continue reading
Posted Sep 25, 2012 at The Best American Poetry
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John Coltrane’s 1960 album GIANT STEPS changed the path of modern jazz. Using inverted chord structures,accelerated tempi, changing his reed and ambature (contributing to slightly nasal tone), and, most of all, searching out increasingly complex harmonies, he found his way... Continue reading
Posted Sep 24, 2012 at The Best American Poetry
Thanks David. Probably Saw O'Hara there but was too green to know who he was. "The Day Lady Died" is one of my favorite poems of all time. Wrote about it in HISTORY MATTERS.
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Roy Haynes, Thelonious Monk, Sonny Rollins and Ahmed Abdul-Malik at the Five Spot Cafe NYC, September 1958 Everyone has an initiation story and some version of mine may seem familiar, but I want to begin this blog with how my... Continue reading
Posted Sep 23, 2012 at The Best American Poetry
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Sep 22, 2012