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Christine Hall
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Somehow, Halloween has become controversial. We now have rending public debates about costumes that are too risqué, trashy, insinuating, or politically incorrect. Just last week, Walmart pulled off the shelf a (disappointingly tame) "Naughty Leopard" costume for little girls just because the word "naughty" (not the costume itself) was deemed too sexualized. And UK supermarket chains Asda and Tesco have just yanked a grotesquely deranged "mental patient" costume that supposedly disparaged the mentally ill. But I think all the easily offended critics out there fail to appreciate Halloween as a sort of one-off, wildly fantastic carnival. It's perhaps the one day of the year when everyone—not just the cosplayers or the goths or the fetishists or pick-your-subculture—gets a free pass to dress up in an insane get-up, purely for fun. Even a costume-averse frat boy can be a campy prisoner for one night. Whatever it is, you get to re-imagine... Continue reading
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Stylists often advise against dressing in a head-to-toe vintage look, which is advice I hate. And in the same breath that people will exclaim how much they admire vintage glamour, they say they could never do it themselves. Well, why not? Why should the glamour of a bygone era be unachievable now? I decided long ago to do vintage looks whenever I please, so long as they “fit” the occasion. Though I would certainly attempt an ornate, historical era for a special occasion, the eras I like best are the 1920s, ‘30s, and ‘40s, in particular ca. 1925 to 1945, flapper era through the war years. So I’ve chosen a few conservative daytime looks from those eras, plucked from my Pinterest boards, that I think are most accessible. I would argue that the 1920s were the start of the modern fashion era and that styles from that era forward are... Continue reading
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Unobtainium. The exotic, unobtainable, and probably mythic substance sought by scientists that would make a resounding breakthrough and success of the scientific endeavor at hand. Borrowing that concept from science, it’s interesting to realize that some of the glamorous things we desire give a convincing illusion of attainability but are, instead, wholly unobtainable. Consider Belgian artist Isabelle de Borchgrave’s elaborate gowns copied from some 300 years of high fashion, ca. late 17th to the early 20th century. Even the most elaborate of original fabric gowns from those eras are, theoretically, wearable. Certainly recreatable, in approximate respects. But de Borchgrave’s gowns are made of papier-mâché! Life-size, three-dimensional, authentic-looking gowns, robes, and jackets. And shoes – delightful faux-brocade pumps and slippers. A close look at these gowns, featured in Prêt-à-Papier: The Exquisite Art of Isabelle de Borchgrave, a recent exhibit at the Hillwood Estate in Washington, D.C., revealed the intricate workmanship of... Continue reading
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Glamour icon? London-based model, DJ, and scene-maker Alejandro Gocast is making an impressive go at that status. I first stumbled across Gocast on Facebook, as part of the revived New Romantic club scene in London that I’ve long admired and written about here on DeepGlamour. Arising in the early 1980s, the New Romantics represented a creative, dressed-to-impress music and style movement, post-punk, post-disco. Now, more than 30 years later, Gocast is one of a new generation of New Romantic club kids. And he cuts a spectacular image in modeling and club photos. I interviewed him exclusively for DeepGlamour. CH: How do you describe what you do? I think of you as a model, a glamorous nightclub personality, and a DJ. But give DG a fuller picture of what you do? Gocast: I would describe my career as an eclectic one. As well as being known for what you have mentioned... Continue reading
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Dec 4, 2012