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Lexnotlex2
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Oh, now you gone an dunnit. Just as the internut was showing signs of recovering from borkehmania, you publish three articles about it in one week. It's gonna be 1997 all over again. The brokehpocalypse is nigh.
I hope you realize if I outlive you, after you're gone I'm gonna edit your Wikipedia entry to blame the whole borkeh craze on you. But I'll do it in fuzzy language.
Bokeh King? Not Hardly
I've enjoyed "demystifying" various aspects of photography—Oren Grad's nice word for it—and I've gone through various "phases," or fads, or preoccupations, or obsessions through the years. The most obvious one, and one most people arrive at early in their involvement with their own photography, ...
In street, documentary and photojournalism I tend to prefer everything in reasonably sharp focus, especially photos with a sort of theatrical milieu or lots of activity for the eye to explore, like this recent photo by Zun Lee (whose documentary on fatherhood was recently featured in the NY Times Lens blog): http://www.flickr.com/photos/rogueinterventionist/7175611273/in/photostream
I'm not allergic to borkeh'd pix, but I'm not addicted to 'em either.
In Defense of Depth
From Russian Noir by Jason Eskenazi By John Kennerdell If there's a single received idea that fires up the imagination of my young photographer friends these days, it's that for "professional looking" photographs they should buy fast lenses and then use them at their widest apertures. I've begu...
"...introduced the term "bokeh" and the concept behind it to photographers in the West."
I remember that, via CompuServe chatter way back when.
Thus was the internut forever borkeh'd. And you dunnit, Mike.
I Should Have Said...
I assume too much sometimes. I should have added, to John Kennerdell's article "In Defense of Depth" yesterday, a reminder that John was the author of the article I published in Photo Techniques in 1997 that introduced the term "bokeh" and the concept behind it to photographers in the West. I ad...
They should call it the Trolga, considering the righteous indignation it provokes.
The Basic Requirement of the Box
(By "box," I mean camera. The appellation doesn't work so well any more. Used to be, a camera was a "light-tight box." It was essentially an empty area between a lens and a piece of film, the primary duty of which was to keep light out. Now, of course, cameras are much more than boxes. But I sti...
Best camera review I've read in a long while. Any site can do tech specs. I want to know about the user experience.
Also, is it wrong that I LOL'd at the drama?
Out and About with the Pentax K-01
By Andrew Kochanowski English gloom lifted for a few moments of sunshine, so Belgian and English soccer—er, football—fans hurl invective at each other. Lime-vested bobbies appear in moments. Surely, something good must happen. It's a fine thing I have a camera with me. I turn it on shutter prior...
I got lucky in a pawn shop several years ago. I don't remember her name, but coincidentally they also had an Olympus 35 RC with the SL39-3C UV filter and PS200 flash - fairly uncommon extras - all in very good condition, for around $20. I'd been looking to replace that camera since selling my first 35 RC years earlier during a lapse in sanity. Still one of my favorites, and currently loaded up with Tri-X.
BTW, going home is overrated. It's the place where they remember all of your vices and none of your virtues, but thoughtfully wait until dinnertime and holidays to discuss it.
Can You Really Not Go Home Again?
"You can't go home again" was the title of one of Thomas (not Tom) Wolfe's most popular novels. It was about the vagaries of his author-protagonist's attempts to portray his hometown, the fictional Libya Hill. The phrase has entered the language. What's meant by it, usually, is that you can't re...
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