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Nice to hear some stuff outside of the 'Duck Rock' material. Does anyone have an inside as to what they were paid for that record, given McLaren's involvement?
From the description, it seems to be a pretty ruddy copy (I guess as it should be). But the claim that 'with pro tools that getting rid of the surface noise throughout would be fairly easy'. I think is a bit far-reaching. Anyone care to weigh in on that claim? AFAIK, the plug-ins in ProTools (and other wave-rendering products) tend to leave artifacts-the 'cleaned' recording would sound under water.