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Sharon Frost
Artist/yogi with a husband and (someday) a cat who is determinedly working toward fluency in Castellano.
Interests: Art, photography, Spanish language studies and travel to Spanish speaking places, yoga. Also: movies, books, music, baseball.
Recent Activity
No disponible en Kindle: Invierno en Lisboa por Antonio Muñoz Molina. 20 de mayo, 2013. (Not available on Kindle.)
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5 7/8 x 9 in.; watercolor, ink, whatever on Stonehenge paper. Deambulaba entre las cosas enpeñado en la tarea imposible de acuciar el tiempo. (Wandering among things committed to the imposible task of hurrying up time.) Continue reading
Posted 3 days ago at Day Books, the art-as-life of Sharon Frost, one page after another.
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Embedded: Front to back: sensing the planes. 19 May, 2013.
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7 x 14 in. double page spread; watercolor, ink, whatever, on Stonehenge paper. Continue reading
Posted 4 days ago at Day Books, the art-as-life of Sharon Frost, one page after another.
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El G, rómpido. Brooklyn. 5 de mayo, 2013. The G, broken in Brooklyn.
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5 7/8 x 9 in.; watercolor, ink, whatever, on Stonehenge paper. " At first glance, it seemed the same as always, but better, more lively." Roberto Bolaño. Continue reading
Posted May 12, 2013 at Day Books, the art-as-life of Sharon Frost, one page after another.
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La linea L, alguna parte en Brooklyn. 20 de abríl, 2013. (The L, somewhere in Brooklyn.)
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Pero por más esfuerzos que hizo no pudo imaginarse a nuestra poeta en esa situacíon. Roberto Bolaño, Estrella Distante. (Try as he might he coulldn't imagine our poet in that situation.) 5 7/8 x 9 in.; watercolor, ink, whatever, on... Continue reading
Posted May 2, 2013 at Day Books, the art-as-life of Sharon Frost, one page after another.
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For Stephen. It's the ankle angle. It's narrow. 20 April, 2013. Saturday.
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5 7/8 x 9 in.; watercolor, ink, whatever, on Stonehenge paper. Continue reading
Posted Apr 21, 2013 at Day Books, the art-as-life of Sharon Frost, one page after another.
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Vale, pues sí, en el F. 17 de abril, 2012. Okay, yes, on the F.
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" And it's that there time hangs heavy. Nobody keeps track of the hours, nobody worries about how the years add up. The days begin and they're over." Juan Rulfo. 5 7/8 x 9 in.; watercolor, ink, whatever, on Stonehenge... Continue reading
Posted Apr 18, 2013 at Day Books, the art-as-life of Sharon Frost, one page after another.
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La cáscara cambia con cada mirada. Final del juego. 18 de marzo, 2012. (The shell changes with every glance. End of the game.)
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5 7/8 x 9 in.; ink, watercolor, whatever, on Stonehenge paper Continue reading
Posted Apr 2, 2013 at Day Books, the art-as-life of Sharon Frost, one page after another.
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Looking for a footing. The bones find it first. 19 March, 2013.
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5 7/8 x 9 in.; watercolor, ink, whatever, on Stonehenge paper. Continue reading
Posted Mar 19, 2013 at Day Books, the art-as-life of Sharon Frost, one page after another.
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No se apoye sobre la puerta en la linea F. 15 de marzo, 2013. (Don't lean on the door, on the F train)
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5 7/8 9 in.; watercolor, ink, whatever, on Stonehenge paper. Continue reading
Posted Mar 18, 2013 at Day Books, the art-as-life of Sharon Frost, one page after another.
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Cayendo los pantalones en la linea F. 8 de marzo, 2013. (Falling down pants on the F train.)
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(Distant star: Roberto Bolaño on my Kindle. I keep looking.) 5 7/8 x 9 in.; watercolor, ink, whatever, on Stonehenge paper. Continue reading
Posted Mar 9, 2013 at Day Books, the art-as-life of Sharon Frost, one page after another.
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Me da igual. La linea F. Brooklyn. 22 de febrero, 2013. (It's all the same to me. F train. Brooklyn)
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5 7/8 x 9 in.; watercolor, ink, whatever, on paper. Continue reading
Posted Feb 27, 2013 at Day Books, the art-as-life of Sharon Frost, one page after another.
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Estoy perdida en Roberto Bolaño. Los demás se pierden en otra cosa. El la F, en Brooklyn. 8 de de febredo, 2013. (I'm lost in Roberto Bolaño. The others are lost in something else, on the F train in Brooklyn).
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7 x 10 in double page spread; watercolor, ink, whatever, on paper. Continue reading
Posted Feb 14, 2013 at Day Books, the art-as-life of Sharon Frost, one page after another.
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A pie, en la linea F. 1 de febrero, 2013. (Standing, on the F train)
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7 x 10 in. double page spread; watercolor, ink, whatever, on paper. Continue reading
Posted Feb 4, 2013 at Day Books, the art-as-life of Sharon Frost, one page after another.
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La linea F: lectura de metro en Brooklyn. Para mí, García Márquez. 25 de enero, 2013. (The F train: reading underground in Brooklyn. For me, García Márquez)
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7 x 10 in. double page spread; watercolor, ink, whatever, on paper. Continue reading
Posted Jan 30, 2013 at Day Books, the art-as-life of Sharon Frost, one page after another.
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Joint account: transferral. 26 January, 2013.
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5 1/2 x 11 in. double page handbook spread; watercolor, ink, whatever, on paper. Continue reading
Posted Jan 28, 2013 at Day Books, the art-as-life of Sharon Frost, one page after another.
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La linea F: en camino de ver Infancia Clandestina por Benjamin Ávila. Stephen, leyendo El Alma de Gardel por Mario Levrero. 14 de enero, 2013. (F train: on the way to see Clandestine Childhood by Benjamin Ávila. Stephen reading El Alma de Gardel by Mar
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7 x 10 in. double page spread; watercolor, ink, whatever, on paper. Continue reading
Posted Jan 16, 2013 at Day Books, the art-as-life of Sharon Frost, one page after another.
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It's beside the point. 10 January, 2013.
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5 7/8 x 9 in.; watercolor, ink, whatever, on paper. Steve's getting hip. Finally, my 2013 Anatomy Calender is ready, at Cafepress: http://www.cafepress.com/sharonfrost.603143782 Continue reading
Posted Jan 10, 2013 at Day Books, the art-as-life of Sharon Frost, one page after another.
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La mañana en Brooklyn Commune. Tomando un café. Stephen en conlicto entre New York Times y su Kindle. 3 de enero, 2012. (Having coffee: Stephen in conflict between The New York Times and his Kindle.)
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7 x 10 in. double page spread.; watercolor, ink, whatever, on paper. Continue reading
Posted Jan 9, 2013 at Day Books, the art-as-life of Sharon Frost, one page after another.
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Linea F -- la naranja ha vuelto. Es temporal. 30 de diciembre, 2012. Domingo - 1 de enero, 2013, martes. (The F train -- the orange is back. It's temporary.
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7 x 10 in. double-page spread; watercolor, ink, whatever, on paper. Continue reading
Posted Jan 8, 2013 at Day Books, the art-as-life of Sharon Frost, one page after another.
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El progreso: me cuesta menos leer Cortázar cada año. 27 de diciembre, 2012. (Progress: it costs me less to read Cortázar every year.)
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5 1/2 x 11 double page handbook spread; watercolor, ink, whatever, on paper. Cortázar ha llegado a Brooklyn otra vez. (Cortázar has returned to Brooklyn once more.) Continue reading
Posted Jan 1, 2013 at Day Books, the art-as-life of Sharon Frost, one page after another.
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Volando sobre el Atlántico. Chaleco savavidas debajo de su asiento. 14 de diciembre, 2012. Viernes. (Flying over the Atlantic. Life jacket under your seat.)
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Trapped/packed in the tin can in the air: American Airlines impossibly small planes. At least I have Cortázar.) Sketchblog: http://sharonfrost.typepad.com/day_books 7 x 10 in. double page spread; watercolor, ink, whatever, on paper. Continue reading
Posted Dec 25, 2012 at Day Books, the art-as-life of Sharon Frost, one page after another.
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Hand to foot existence. 12 December, 2012.
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It was nice to get into our hotel in Madrid: with it's real wood floors. Almost 2 months of Andalucían tile floors, icy cold in winter, meant I was barefoot only in the shower. Shocking to once again see toes... Continue reading
Posted Dec 15, 2012 at Day Books, the art-as-life of Sharon Frost, one page after another.
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Mirando Messi, mientras él pasa a la historia: 86 goles en un año natural. Barcelona a Real Betis. 9 de diciembre. (Watching Messi make his historic goal: 86 in a calender year.)
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7 x 10 in. double page spread; watercolor, ink, whatever, on paper. Bar Five, Plaza Mina, Cádiz. Continue reading
Posted Dec 15, 2012 at Day Books, the art-as-life of Sharon Frost, one page after another.
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Café Royalty, Cádiz: Un espacio restaurado -- después de un siglo. Stephen Leyendo. 5 de noviembre, 2012. (Café Royalty: a space restored, after a century.)
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7 x 10 in. double page spread; watercolor, ink, whatever, on paper. Esta restauración es un contraste sorprendente. (This restoration is a startling contrast.) Continue reading
Posted Dec 7, 2012 at Day Books, the art-as-life of Sharon Frost, one page after another.
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