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Rob,
You were really made for this - music curating, journalism, reviews, etc. You have an inherent gift for it.
So glad that Death is getting some shine after a nearly 30 years of obscurity. It shows it's never too late to pursue the dreams we all have.
VIDEO: My SXSW interview with Death
Thanks to Laina Dawes for alerting me that the SXSW team posted a portion of my sit-down Bobby Hackney, Dannis Hackney and Bobby Duncan. In this clip, they discuss the naming of the band, how they found their producer, and their near-meeting with Gladys Knight. Thanks again to everyone who d...
I'm so happy that you took time to think about how to frame the discussion. And to frame it in the context of postmodern blackness seems quite appropriate. Beginning with that lens, one can get deeper into the impact of the images and viewing these characters on screen. You probably cut about 30 minutes of contextualizing out of the conversation by beginning within that framework.
Thoughts (pre- and) post the National Black Arts Festival
l to r: Farai Chideya, Rob Fields, Boston Fielder, Barry Jenkins photo: Yemi Toure So, the first things first: It was an honor to participate in this year’s National Black Arts Festival. Thanks to Leatrice Ellzy, the programming director and outgoing executive director Stephanie Hughley, fo...
A union of beatmakers sounds like a good idea. But what would you propose the flat rate for each beat be - $1,000?. Also would this union negotiate a health care agreement with the 4 main music companies?
The New Beat Market Exchange, Pt. 2
Acclaimed Beatmakers Lobby for Work; Celebrity Beatwork Solicitation Means Your Favorite Beatmaker is Now Competing with You By Amir Said (Sa'id) Beatmaking is a new musical phenomenon, as such, the price parameters and ceiling was being set—in real time—in the 1990s. And what was the price param...
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