>>Should I review a medium-format digital camera?<< Is the pope catholic?

I'm very sorry to read that Ted Grant passed away. We met online at the CompuServe Photoforum back in the 90s. When I was in Seattle on business in '98 or '99, I discovered that I could fly to Vancouver Island, where Ted lived, on a floatplane for very little money. So I did, and we spent a great time together. I got his photo book about the medical profession, "This is our work - The legacy of Sir William Osler", which is a true classic by now.

It's hard to decide on a single musician, but if I had to, it would be Al Jarreau.

>>Of course, I'd be even happier with the 23mm Fujicron (which I don't own yet)<< I'd love to read your comparison of said lens to the Fuji 23/1.4 once you get your hands on one.

And I always thought that my Zeiss 35/1.4 ZF.2 was big and heavy for a lens of that focal length. Turns out it weighs in at 'only' 890 g. BTW I hate using it on my Nikon Z7. While the image quality is great, the whole contraption is so front-heavy it isn't fun anymore.

With your expertise in all thngs bokeh I'd be surprised if you liked the 56/1.2 R. I replaced mine with the APD version and never looked back.

I've always said that zooms offer one degree of freedom too many for me.

The 90/2 is a very cool lens. I never liked the bokeh of the 56/1.2 R. In fact I traded it in for the 56/1.2 APD, which is a lot nicer in this discipline.

Did you get the regular 56 or the APD version? I had the regular version first and truly hated its bokeh wide open at close distances. The APD is in a very different league.

Film: 28 (1976 - 2004) Digital: 15 (2004 - 2019)

Got my copy last week and love it!

The Oberwerth brand is named after the Oberwerth district of the city of Koblenz in Germany as this is where the owners of the company live.

I absolutely agree with your opinion on "L'histoire de France".

>>I've always had good contacts at B&H...<< I would think Henry Posner, who always was very helpful on the old CompuServe Photoforum (and still is today, albeit in other places on the Internet) is missing from your list.

You're absolutely right about his work being unfinished. I would certainly enjoy looking at some more of his Hamtramck photos.

>>In my view, the digital M's are not an updating of the M camera concept, not an evolution of the M camera concept, and not an improvement of the M camera concept. Nor are they digital cameras with a usefully different form-factor.<< True words.

1. Rangefinder (that's why I used Leicas in the film days) 2. Fuji X-Pro2

In fact, grainier films look sharper than fine-grain films... Kodachrome 200 was a great example of that. Even pictures taken with the non-ASPH Leica Summilux-M 35/1.4 wide open looked pretty sharp on that film.

Please don't start doing videos! You'd have to buy a baseball cap and wear it reversed. Also, I wouldn't watch them.

I often find myself using only 28 mm-e and 35 mm-e lenses. On a trip to Cuba I carried the 28, 35 and 50 mm lenses, but realized afterwards that I might as well have left the 50 at home. What surprises me is that you as a bokeh expert like the Fuji 56/1.2. I ad it for a while and found the bokeh very busy wide open at short distances. Returned it and got the 56/1.2 APD instead. Some say the differences are subtle, but I find them very obvious and love the APD version.

I chose the X-Pro series simply because I love optical viewfinders. The EVF is a welcome addition for when I need to frame very precisely or when I use extreme focal lengths.

Make sure not confuse him with the fabulous Jodi Cobb of NatGeo fame.

>>the 75mm Summicron-M, and the 80mm Summicron-R<< Both are Summilux (f/1.4) lenses.

Just checked the link you provided to Amazon Germany. It is the hardcover edition ("Gebundene Ausgabe") they offer.

I could very well get by with my Fuji XF 18/2 and 35/2 lenses which I use on X-Pro2 cameras. In 35mm terms they correspond to 28mm and 50mm focal length. Lightroom tells me that more than 80% of my recent pictures are taken with these two lenses.