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Len Schiff
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I think Whedon gets major feminist props for his critiques of masculinity. In Hush, The Gentlemen, clad as precisely the sorts C19 doctors who prescribed rest cures, impose silence on their victims and then cut out their hearts; they can only be dispelled by a female voice. In Ted, John Ritter's robot is programmed to perform 50’s-style suburban/bourgeois maleness-- the inevitable result is rigidity, authoritarianism and finally violence. And then there's Caleb, Nathan Fillion's conflictedly msogynist psycopath....
Toggle Commented Mar 23, 2012 on Xander, Buffy and Feminism at Parabasis
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Mar 23, 2012