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Daniel Green
Interests: Good writing, creative and critical.
Recent Activity
As they should, the essays collected in The Digital Critic: Literary Culture Online (edited by Houman Barekat, David Winters, and Robert Barry, OR Books, 2017) offer a mixed assessment of the literary culture the Internet has both transformed and distorted. By now it is clear that online literary culture is... Continue reading
My essay on current conceptions of realism in American fiction, specifically focused on the fiction of Sam Pink, is now available at 3:AM Magazine: For the most part, “realism” in current discussions of fiction has become conflated with conventional narrative practice: “storytelling” employing the orthodox “elements” of fiction as developed... Continue reading
Posted 5 days ago at The Reading Experience
My review of Slovenian writer Evald Flisar's A Swarm of Dust is now available at Full Stop: It would seem unambiguously desirable that more, rather than fewer, works of world literature be translated into English. But when the writer translated is largely unknown to most American readers and reviewers, and... Continue reading
Posted Dec 20, 2018 at The Reading Experience
Here is a roundup of the reviews and other literary criticism of mine that appeared in the past year: PUBLISHED ELSEWHERE "Criticism in Cyberspace" (Link) On The Digital Critic: Literary Culture Online, Edited by Houman Barekat, Robert Barry, and David Winters "Language of the Spirit" (Link) On Mike McCormack's Solar... Continue reading
Posted Nov 11, 2018 at The Reading Experience
"Among all of the adventurous writers whose fiction has sometimes been described — usually contemptuously — as a form of “game-playing,” the work of Harry Mathews perhaps most literally deserves such a characterization. However, in Mathews’s case, to say that his novels and short stories seem like games is not... Continue reading
Posted Sep 18, 2018 at The Reading Experience
This is the second part of chapter 3, "Sorrentino the Metafictionist," from my book-in-progress tentatively entitled Gilbert Sorrentino: An Introduction. The first chapter, "Sorrentino the Poet," can be found here; chapter 2, "Sorrentino the Realist," here; the first part of chapter 3, here. 2) "Walking Around Inside": Mulligan Stew In... Continue reading
Posted Aug 5, 2018 at The Reading Experience
Charles Baxter's stories, as collected in Gryphon, seem to me to epitomize an approach to fiction writing that has become the trademark approach in the era of the Creative Writing program and its "workshop" method of instruction. Whether Baxter has simply become the most consistent enabler of this approach, or... Continue reading
Posted Jun 17, 2018 at Realisms
I think it is fair to say that, although particular books of his might receive a few less-than-effusive endorsements, Richard Russo is a highly regarded novelist among mainstream American book reviewers. Although Empire Falls seems to be the work that received the greatest praise, and remains a critical favorite, reviews... Continue reading
Posted Jun 17, 2018 at Realisms
Readers of Kent Haruf’s previous books will surely know what to expect from his new novel, Benediction: a work of austere realism, probably weaving together several separate but related narratives, set in rural Holt county on the high plains of northeastern Colorado. They will expect the novel to be written... Continue reading
Posted Jun 17, 2018 at Realisms
The two primary modes or tendencies in Richard Ford's fiction are juxtaposed most prominently in The Sportswriter and Rock Springs, published in 1986 and 1987, respectively. Rock Springs is a collection of short stories set in the Western United States, in and around Great Falls, Montana in particular. The stories... Continue reading
Posted Jun 17, 2018 at Realisms
Lorrie Moore's first two books, the story collection Self-Help (1985) and the novel Anagrams (1986), introduced a writer possessing an appealing comic touch, lightly applied but not reducible to mere "humor," and a modest if still palpable impulse to formal experiment. Self-Help incorporated as a formal strategy the conventions of... Continue reading
Posted Jun 17, 2018 at Realisms
Denis Johnson’s previous novel, Nobody Move (2009), was a tepid, forgettable work of “noir” crime fiction. Even so, perhaps what made this novel so disappointing was not that it was formulaic or derivative, but that finally it failed to be as “noir” as Johnson’s own non-genre fiction, which habitually casts... Continue reading
Posted Jun 17, 2018 at Realisms
I Forsaking Illusions Richard Powers clearly signaled in his auspicious first novel, Three Farmers On Their Way to a Dance(1985), that his fiction would not conform to the then-emerging conventions of literary minimalism or participate in the full-scale return to the values of traditional realism that would characterize much literary... Continue reading
Posted Jun 17, 2018 at Realisms
Philip Roth has given the short novels Everyman, Indignation, The Humbling, and now Nemesis the collective designation "Nemeses: Short Novels." Regarding the four together at the least inevitably invites reflection both on the possible connections and correspondences among them and on their status as works of the "late" phase of... Continue reading
Posted Jun 17, 2018 at Realisms
Among those American writers who were originally identified as "minimalists," a group that would include Raymond Carver, Bobbie Ann Mason, Ann Beattie, and Tobias Wolff, Mary Robison may have been the most minimalist of them all--or, to use the word she has said she prefers to describe the narrative/expository strategy... Continue reading
Posted Jun 17, 2018 at Realisms
Affliction Perhaps because American fiction has always been especially animated by the opposing tendencies toward realism on the one hand and fabulation on the other, toward the "novel" as developed in Europe and toward what Hawthorne insisted was "romance," writers' allegiances to either of these modes often seem as much... Continue reading
Posted Jun 17, 2018 at Realisms
The publication of Ottessa Moshfegh’s story collection, Homesick for Another World, does not so much allow us to measure the progress of this writer’s talent following on her first two published books, the novella McGlue and the novel Eileen, the latter of which in particular generated considerable enthusiasm among readers... Continue reading
Posted Jun 17, 2018 at Realisms
Perhaps the most distinctive feature of Nicholson Baker's fiction is the way it seems both to ingratiate and provoke, aspires to be both accessible and difficult. Most of his novels could be described as at the same time formally simple--a man tends to his six-month old baby one afternoon, two... Continue reading
Posted Jun 17, 2018 at Realisms
While “surfing” the world wide web in late 2003, I began noticing certain websites—they looked more like online diaries—discussing books and writers with an enthusiasm and a seriousness of purpose I was not seeing elsewhere on the web. I then had some nascent ideas of my own about how the... Continue reading
Motives In a recent profile of critic Stanley Fish, Fish is quoted as having said, "Literary interpretation, like virtue, is its own reward. I do it because I like the way I feel when I'm doing it." He further amplifies: You do this kind of work simply because it's the... Continue reading
Matter John Domini’s The Sea-God’s Herb is first of all a collection of lively book reviews (supplemented with a few longer essays) covering almost forty years of Domini’s work as a literary critic in such venues as The New Republic, the Boston Globe, and Bookforum, as well as numerous literary... Continue reading
A reviewer of Joanna Rucco's Dan tells us that Reading Dan is like having a bot worm medically expelled from your body. You suspected there was something wrong, something in you that wasn’t right, and by mysterious ways of medical linguistics Ruocco has not only identified the parasite, but found... Continue reading
It might indeed be the case that many "negative" reviews of fiction are glib and opportunistic exercises in what has come to be called snark. Such reviews make little real effort to adequately describe the ambitions and strategies of the book under review, or to assess the book's success or... Continue reading
In her book Faint Praise: The Plight of Book Reviewing in America (University of Missouri Press), former Boston Review editor Gail Pool writes: Readers dismayed by the lack of criticism in reviews won't find more of it in other coverage, most of which is promotion, sometimes in disguise. Newspaper book... Continue reading
For all of the ambivalence it seems to provoke in many readers and critics, the American fiction of the 1960s and 1970s (with scattered precursors in the 1950s and and a few lingering appearances in the 1980s) that probably will now permanently be called "postmodern" continues to make its influence... Continue reading