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Yashoda Sampath
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Surely announcing Brad Pitt as your star carries the same expectations as casting Sean Penn, if not more so? Mike Nichols must have been very aware of the tensions between Elizabeth Taylor and Richard Burton, as well as the audience's expectations when seeing the two of them on screen together. It must have added a level of heft to the steady disintegration of the marriage in the film. And yet, there is no sense that either actor is actually playing themselves, whereas in Closer, that sense is ever-present for all the actors except Clive Owen.
Toggle Commented Aug 26, 2011 on The trouble with movie stars at Some Came Running
I love both Didion and DFW, but I've been having a very powerful urge to re-read Slouching Towards Bethlehem (as opposed to my near-constant desire to re-read Infinite Jest!) So basically I have no advice for you. But they're both great choices.
Toggle Commented Aug 26, 2011 on Lit Bits and A Bit About Lingo at Counterbalance
Love how many people Maud Newton managed to insult in this piece: DFW fans, DFW himself, bloggers, music writers, readers, Southerners and most importantly, people who choose to make nuanced arguments rather than state "definitive" truths, a la Fox News. Great post! I responded to Newton's piece here:
Toggle Commented Aug 26, 2011 on A Bit About Lingo at Counterbalance
Great post! I still don't find her generalizations on the blogosphere valid (and in fact that irked me more than anything else, as I wrote about here: But you're right, she offers no defense for the idea that DFW's style is not persuasive or argumentative. She states it, therefore it must be so.
1 reply
Newton seems to believe that one cannot write in the style she describes and still be sincere in intent and objective, which is frankly ridiculous and an idea that scarcely bears thinking about. Nonetheless, I thought on it, and wrote this rebuttal: On Maud Newton vs. DFW and "folksiness."
Toggle Commented Aug 26, 2011 on Squarer for Maud at Some Came Running
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Mar 22, 2011